Relation between Physical Parameter of a Main Microphone and Sound Quality



  Nagoya University of Arts
Kazuya Nagae
   

Directional vs. Omnidirectional Microphones

Verify of relative distance to sound source for equal balance between direct and indirect sound.

   

An outline of comparison

To verify of relative distance to sound source for equal balance between direct and indirect sound in the grand piano recording.
In a experiment recording at the Hekinan Emerald Hall and Nagoya University of Arts Hall May, 2014.
The Directional microphone DPA4011 = 4.7m from the Instrument,
he Omnidirectional microphone DPA4006 = 3.1m from the Instrument.
The distance ratio was 1 : 1.5 (65%).
Recorded by RME Micstasy, Magix Sequoia 44.1kHz 24bit.

Please click the following photo.You can listen to the comparison of main microphone by Quicktime Movie.

    

about Relative distance to sound source for equal balance between direct and indirect sound. from DPA Microphones

Johann Sebastian Bach, The Italian Concerto, BWV 971 in Hekinan Emerald Hall
Claude Debussy, Images book1 Reflections in the Water in Hekinan Emerald Hall.
Johann Sebastian Bach, The Italian Concerto, BWV 971 in Nagoya University of Arts Hall.
Claude Debussy, Images book1 Reflections in the Water in Nagoya University of Arts Hall.

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  Kazuya Nagae, Nagoya University of Arts, Lecture School of Music
名古屋芸術大学 音楽学部 音楽文化創造学科 サウンドメディアコース 講師 長江和哉
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